Disillusioned by the end of the war in Afghanistan, a group of disgraced, war-torn ex-CIA operatives set out to Tehran to take down a life-changing score.
In Tehran’s underground art scene, Pari, a theater director, and Hanna, a dancer, are roommates, best friends, actors, and professional partners, navigating rehearsals, performances, and the quiet rituals of everyday life—until their secret circle is discovered. Shot covertly but far removed from familiar portrayals of Iran, directors Maryam Ataei and Hossein Keshavarz blur the boundaries between theatrical performance and lived experience, crafting a luminous portrait of sisterhood where art becomes inseparable from life and even the smallest creative choices can become acts of resistance.
Ziba is an upper-class housewife in today's modern Tehran. Unable to relate to her environment or to her alienating life, she lives within her repetition unable to express to those around her what is wrong. But one long summer day, Ziba finds herself in an unexpected situaiton in the company of people unknown to her, confronted with her own choices and indecisions. Not a character portrait per se, this film works as a visceral metaphor of the general state of oppression and silence in Iran today.
Emel works at Osman's club. There she meets Kemal and they fall in love. They decide to get married. Kemal's man Mahmut, gets Kemal into a pretended drugs business and causes Kemal to go to Tehran. Kemal writes letters to Emel but they are kept by Mahmut and Emel never sees them. Mahmut calls Kemal to Istanbul.