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Episode 1
April 6, 199829m0.0
Sam Saldivar no-budget sci-fi thriller THE GIANT KILLER; one minute films loops with Gustav Deutsch at Windsor, ON’s Kinnotek Cinema; looking for the mysterious “Lady In Red” at Slamdance '97; revisiting the Blair Witch—a look at the footage found in the muddy duffel bag.

Episode 2
April 13, 199828m0.0
SPLIT SCREEN hits the road! Making a film vs. running the NYC Marathon; visiting IFFCON to talk indie film financing; John Wayne's Hairpiece and other cinema treasures at the Smithsonian Institution in D.C.; filmmakers Doug Stone and P.H. O'Brien and Dan “Grizzly Adams” Haggerty go looking for the America of EASY RIDER.

Episode 3
April 20, 199828m0.0
“The Illusion and Reality” episode: Dan Myrick visits musician/filmmaker Billy Yeager in a Purple Haze in Hollywood, FL; movie VHS bootleggers in NYC; building a grizzly bear proof suit—Doug Stone and PH O'Brien visit Canadian director Peter Lynch; War of the Words—an infamous Orson Welles commercial recording.

Episode 4
April 27, 199827m0.0
Self-distributing a documentary about talking to elementary school kids about gay issues; Filming in Charleston, SC, from Civil War pictures to slavery era epics; a visit with director Carl Franklin (ONE FALSE MOVE); Jacob Young’s ongoing project about broken down cars on the side of the road in the Deep South.

Episode 5
May 4, 199826m0.0
'Reason to Believe” booking a film on college campuses with secret agent: Tedd Stuart; a visit with Bart Weiss, director of the Dallas Video Festival; surveillance video turned into experimental films; THE TIN DRUM— Tim DePaepe investigates how this Academy Award winning film was banned in Oklahoma City, OK.

Episode 6
May 11, 199828m0.0
Student activists and local film illuminati protest the shutting down of the UT Union Film program; a profile of the inimitable character actor Lawrence Tierney; shooting Super 8 films at the Austin Cinemaker Co-op; “Documation” - Bob Sabiston and Tommy Pallotta discuss their hybrid of animation and documentary.

Episode 7
May 18, 199828m0.0
The RV crew hangs with Barry Tubb, an ex rodeo rider, Hollywood actor in Synder, TX; meet “Big” Joe La Creta: actor, wrestler, and sandwich master in Wilmington, MA; is there a “Real” Dude? Producer's rep Jeff Dowd claims there is. Marina Zenovich talks to the Coen Brothers and the cast.

Episode 8
May 25, 199829m0.0
A visit with Bruce Ricker, director of THE LAST OF THE BLUE DEVILS, a 1979 film about a reunion of some of the town’s jazz musicians; shooting a film, performing in a band, and hosting a film festival – in Spain; meet some of the real-life counterparts of Martin Scorsese’s film, CASINO; find out what the Pequot Tribal Nation in Mashantucket, CT does with their gambling profits.

Episode 9
June 1, 199828m0.0
The Aspen Shortsfest; SELECTIVE SERVICE SYSTEM, a brilliant short, made when the draft was mandatory and anti-war protests were in full force; follow four ebullient NYC teens, who just happen to be working actresses and indie film stars on the rise; meet Todd Thaler, one of independent film's busiest casting directors.

Episode 10
June 8, 199828m0.0
A visit with Russ Leatherman, Mr. Moviefone himself; meet Al Milgrom the Minneapolis “czar of cinema”; witness Dan Cleveland and his heavy metal band Dark Horse on their ascent up their basement stairs; “Cosmic Society” Amy Elliot and Lizzie Dornius introduce you to a company whose business is filming what can't be seen by the human eye.

Episode 11
August 24, 199828m0.0
Matt Damon and Ed Norton head to the World Series of Poker; self-taught stuntman crashing cars from a junkyard; Cronenberg’s CRASH acted by stuffed animals; a screening of RED RIVER for cows at the Fairlee Drive-In & Motel in Vermont.

Episode 12
August 31, 199828m0.0
Haynes and his longtime producer Christine Vachon cuddle up in Cannes; NEA public funding at the local level; an unusual outdoor screening on a hillside; a film festival sponsored by Dockers™.

Episode 13
September 7, 199828m0.0
The Sweet Sunshine animal Talent Agency; RAT WOMEN: an excerpt from filmmaker Minkie Spiro’s short; what happens to the puppies and dogs left too long at the pound; a visit to Wall Street to try to raise some indie cash.

Episode 14
September 14, 199828m0.0
Adam & Jo’s stuffed animal take on THE ENGLISH PATIENT; a rare visit with brilliant and phobic director Lars von Trier; Amy Elliott and Lizzy Donius visit volcanologists in Hawaii who film lava; Northwestern Airlines indie movie channel.

Episode 15
September 21, 199829m0.0
A home tour and talk with Crispin Glover about his film WHAT IS IT?; Adam & Joe’s toy take on SHINE; mob character actor, Frank Vincent; Marina Zenovich checks out the trailer editing for the TOUCH OF EVIL reissue.

Episode 16
September 29, 199827m0.0
Movie Saves Town: an indie effort revitalizes Holland, MI; Doug Stone visits Tony Bui, director of THREE SEASONS, and his Vietnamese cast; Homicide is Good: the indie film landscape in Baltimore; SE7EN: suspense, murder, stuffed animals!

Episode 17
October 5, 199828m0.0
Making Films, Selling Shoes: director Steven Proto enlists the help of Billy Wilder; How'd You Do That?, on working with a deaf actress; Brian Flemming and Keythe Farley ride along with LA's most famous nonworking actor; an encounter with Seymore Butts: Filmmaker.

Episode 18
October 12, 199828m0.0
George Kuchar, beloved innovator, underground filmmaker, and San Francisco film teacher; KIDS: promiscuous stuffed animals in NYC; 15 budding auteurs in Austin produce one feature together; Indie Dogs with Marina Zenovich; Artmark—activism, film, and videotape.

Episode 19
October 19, 199829m0.0
Manitoba Tonight: Guy Maddin; How'd You Do That: Archival FX; 'MISSION: IMPOSSIBLE Meets IRONSIDE”: Muscular Dystrophy poster-girl now turned indie action flick director Jenni Gold; Tanya Hamilton looks at several decades of Jamaican film culture.

Episode 20
October 26, 199829m0.0
Regional filmmaker par excellence, Jacob Young, in his own backyard. Meet an Elvis-channeling schizophrenic tap dancer, a cross-planting evangelical, a cranky chemical plant owner, and a pedophile Swami. Directed by Amy Elliot: we proudly present the filmmaker who to us embodies the true spirit of independent film.